Tuesday, 24 March 2026

Slow making is at the heart of what I do

 A neighbour’s question set this piece in motion, she asked "Don’t you get tired taking your dog along the same stretch of beach each day?" along with a line that’s been quietly circling my thoughts, by Emily Dickinson: “Forever is composed of nows.” I find myself returning to it, often.

As a maker of artists’ books, and as a printmaker, my work almost always brings together image and text. A simple question about walking the same stretch of beach each day led me to a series of quiet observations about small, everyday pleasures; found items, a friendly encounter, a shared, beautiful sunset, which in time slowly gathered themselves into this book.

It led me to reflect on how easily we slip into moving too quickly, always looking ahead, measuring time by what comes next. There’s often a quiet impatience in that, or a low hum of anxiety, as if we’re living slightly ahead of ourselves. And in doing so, the quieter details can get lost: the shift of light, the rhythm of the tide, the small, steady presence of the everyday.

Working by hand offers a different pace. It requires time and attention, a willingness to move slowly and really notice what’s there. There’s value in that slowness, in doing something deliberately and allowing things to unfold in their own time.  It gives me space to gather my thoughts, and to follow the ideas that begin to surface from the small finds I carry back to the studio.

As I cut and proof stencils, and bind, I watch the light shift across the room. I find myself holding onto fragments, gathering thoughts and memories and gently fixing them to the page, the work becoming a way of holding onto the present.
Pages coming together
Write... Print... Bind... And begin again.

Friday, 6 March 2026

World Book Night 2026 – The Mountains Are Calling…

World Book Night is an annual international celebration bringing together text and image artists’ books in a participatory exploration of reading and making, and this year’s theme did not disappoint.

WBN United Artists invited participants to read and respond to a text or book about mountains, and I found the project genuinely enjoyable from start to finish. It gave me the perfect excuse to revisit a wonderful book by an excellent nature writer, one I was very glad to spend time with again.

Macfarlane, Robert. 2003. Mountains of the Mind: A History a Fascination, Granta Publications

The event is organised by Sarah Bodman and Linda Parr, with input from Nancy Campbell. Each year, artists are invited to create a 2D or 3D work (which must fold flat to fit into an A5 envelope) inspired by that year’s book choice, before sending it off to be part of an exhibition and mail art swap.

It’s a wonderfully intimate format that manages to feel both personal and international at the same time.

My submission is a small trifold book, combining woodcut, stencil, and digital print.

For more information about World Book Night 2026, you can find the full brief here, and take a look at this short video for a closer look at the project.





Slow making is at the heart of what I do

 A neighbour’s question set this piece in motion, she asked "Don’t you get tired taking your dog along the same stretch of beach each d...